Skip to content Skip to sidebar Skip to footer
Página inicial / Green Days American Idiot Forbes Center for the Performing Arts February 19

Green Days American Idiot Forbes Center for the Performing Arts February 19

Postar um comentário

Musical based on the Greenish Solar day anthology

American Idiot
American Idiot-poster.png

Broadway promotional poster
Music Green Twenty-four hour period
Lyrics Billie Joe Armstrong
Book Billie Joe Armstrong
Michael Mayer
Ground American Idiot
by Light-green Day
Premiere September iv, 2009: Berkeley Repertory Theatre, Berkeley
Productions 2009 Berkeley
2010 Broadway
2011 Get-go US tour
2012 First UK and Ireland bout
2012 Second US tour
2013 Third US tour
2015 West End
2016 Second Uk tour
2019 3rd UK bout
Awards Grammy Award for Best Musical Evidence Album

American Idiot is a sung-through rock musical based on the concept album of the aforementioned name by punk rock band Green Day. After a run at the Berkeley Repertory Theatre in 2009, the show moved to the St. James Theatre on Broadway. Previews began on March 24, 2010, and the musical officially opened on Apr twenty, 2010. The bear witness airtight on April 24, 2011, afterward 422 performances. While Green Day did not appear in the product, vocalist/guitarist Billie Joe Armstrong performed the role of "St. Jimmy" occasionally throughout the run.

The story, expanded from that of the anthology, centres on three disaffected immature men, Johnny, Volition and Tunny. Johnny and Tunny flee a stifling suburban lifestyle and parental restrictions, while Will stays at home to work out his relationship with his pregnant girlfriend, Heather. The one-time pair look for meaning in life and try out the liberty and excitement of the city. Tunny chop-chop gives up on life in the metropolis, joins the armed forces and is shipped off to war. Johnny turns to drugs and finds a part of himself that he grows to dislike, has a human relationship and experiences lost love.

The book was written by Armstrong and director Michael Mayer. The music was composed past Green Day and the lyrics were by Armstrong. The score included all the songs from the band's original American Idiot album, as well as additional Green Day songs from the 2009 concept anthology 21st Century Breakdown, and "When Information technology'due south Time", a vocal originally only released as a single in Great britain.

The musical won two Tony Awards: Best Scenic Design of a Musical for Christine Jones and Best Lighting Design of a Musical for Kevin Adams. It also received a nomination for Best Musical. In 2011, its Broadway cast recording won a Grammy Award for Best Musical Show Album.

Plot [edit]

Set in the recent past, the musical opens with a group of suburban youths living unhappily in "Jingletown, United states". Fed up with the state of the union, the company explodes in frustration during "American Idiot". Ane of the youths, Johnny, begins to tell his story in "Jesus of Suburbia", revealing he comes from a broken home and feels dissatisfied with the world. He soon goes to commiserate with his friend Will, and a third friend, Tunny, joins the two at Volition's house. As they party and get drunk they run out of beer, prompting them to choice up more than at the local vii-11. Tunny exposes the do-nothing become-nowhere quicksand of their lives in the "City of the Damned". Realizing they aren't going anywhere, Johnny challenges his friends to offset caring about their lives and everything around them ("I Don't Intendance"). Will'southward girlfriend, Heather, finds out that she is significant with Volition's child, and expresses her conflicting feelings in "Dearly Beloved". Johnny borrows money and buys bus tickets to the city for the three young men, eager to escape bourgeoisie. Before the boys are able to go out, Heather tells Will of her pregnancy. With no other option, he tells his friends he must stay at dwelling in "Tales of Some other Cleaved Dwelling". Johnny and Tunny depart for the city with a grouping of other jaded youths ("Holiday").

Johnny's dreams and expectations of the city take fallen short and so far, and while wandering the streets alone, he pines for a woman he sees in an apartment window ("Boulevard of Broken Dreams"). While Tunny finds information technology hard to conform to urban life, he spends his fourth dimension watching idiot box and is seduced by advertisements featuring America'southward favorite son, an bonny and masculine all-American sex symbol. He becomes convinced that the favorite son is everything he wants to be besides. The favorite son is revealed to be an American soldier ("Favorite Son"). Believing that joining the military will requite Tunny the purpose he believed Johnny and the metropolis would give him, Tunny enlists ("Are We the Waiting").

Back in the city, a frustrated Johnny manifests a rebellious drug-dealing alter ego called St. Jimmy. Johnny takes political party drugs for the starting time fourth dimension during "St. Jimmy". His new-found courage thanks to St. Jimmy and the drugs allow Johnny to make a successful motion on the daughter in the window. Two weeks later, Johnny admits he has injected heroin for the start time and spends the night with the daughter he saw in the window, whom he calls "Whatsername". Back in Jingletown, Will sits on the couch as Heather'south pregnancy progresses. He drinks beer and begs for a release. Meanwhile, Tunny is deployed to a war zone, and is shot and wounded. Will and Tunny beg for relief in "Give Me Novacaine".

Johnny is smitten with Whatsername and they go to a lodge together to celebrate, merely St. Jimmy has other plans for them in "Last of the American Girls / She'south a Rebel". St. Jimmy hands Johnny heroin and Johnny pressures Whatsername into injecting with him. St. Jimmy sets the mood, Whatsername expresses her trust in Johnny, and Heather pledges her love to her newborn baby in "Concluding Night on Globe".

Volition is increasingly neglectful as Heather devotes herself to caring for their baby. Heather has had enough of Will's pot-and-alcohol-fuelled apathy. Despite Will's protestations, she takes the baby and walks out ("As well Much, Likewise Soon"). At around the aforementioned time, lying in a bed in an ground forces hospital surrounded past fellow injured soldiers, Tunny falls victim to the hopelessness he has seen during wartime ("Earlier the Lobotomy"). Tunny hallucinates while on medication and imagines he and his nurse engaging in a adroit aerial dance ("Extraordinary Girl"). He quickly falls in dear with her. His hallucination disappears, and he's left with his fellow soldiers in agony ("Before the Lobotomy (Reprise)").

Back in the city, Johnny reveals the depth of his dearest for Whatsername equally she sleeps ("When Information technology's Time"). The temptation of drugs, however, is too great; St. Jimmy forces Johnny to get increasingly erratic, and amidst hallucinations and paranoid delusions, Johnny threatens Whatsername so himself with a knife ("Know Your Enemy"). Whatsername attempts to convince Johnny to get help, while the Extraordinary Daughter tends to Tunny's physical and emotional wounds every bit it is revealed that Tunny is now an amputee, and Heather and her baby are far away from Will who sits alone on his couch ("21 Guns"). Johnny leaves a note for Whatsername, saying he has called St. Jimmy and drugs over her. Angry and done, Whatsername tells Johnny that he is non the "Jesus of Bourgeoisie" and reveals that St. Jimmy is zero more than than "a figment of [his] father's rage and [his] female parent's love" ("Letterbomb"). She leaves him and his unwillingness to acknowledge his issues behind.

Hurt by Whatsername's departure, Johnny longs for better days alee, Tunny longs for habitation, and Will longs for all the things he'due south lost ("Wake Me Up When September Ends"). St. Jimmy appears and makes 1 final endeavour to get Johnny'south attention, only Johnny has made the conscious determination to finish his cocky destruction, resulting in the metaphorical suicide of St. Jimmy ("The Death of St. Jimmy"). Johnny cleans up and gets a desk chore only realizes in that location is no place for him there or in the city ("Due east twelfth St."). Will, all lonely with his television, bemoans his outcast state ("Nobody Likes You"). Will imagines Heather appearing with her new show-off rockstar young man who is much cooler than Volition ("Rock and Curlicue Girlfriend"). Sick of staying on his burrow, Will heads to the seven-Eleven and, surprisingly, finds Johnny there. Johnny had sold his guitar for a double-decker ticket home. Tunny likewise appears at the seven-Eleven, having returned from deployment with the Extraordinary Girl. Johnny becomes furious with Tunny for leaving him in the city, only speedily forgives him, and the three friends embrace. Tunny introduces his friends to the Extraordinary Girl. Heather and her rockstar boyfriend make it in mode, and in an uneasy truce, she allows Volition to hold their baby. Other friends evidence up to greet the three men they oasis't seen in a year ("We're Coming Home Once more"). One year later on, Johnny laments that he lost the beloved of his life, only he accepts that he can live with the struggle between rage and beloved that has defined his life. With this acceptance comes the possibility of promise ("Whatsername").

After the cast takes their bows, the curtain rises to reveal the entire company with guitars, and they perform "Good Riddance (Time of Your Life)". Each performance of this vocal was recorded and given to the audience every bit a free digital download.

Characters and cast members [edit]

The master cast members of the major productions of American Idiot.

Grapheme Original Berkeley Bandage Original Broadway Cast Original W End Bandage
Johnny John Gallagher Jr. Aaron Sidwell
The main protagonist of the story. On his picaresque journey, he experiences nihilism, drug abuse, and lost love.
Tunny Matt Caplan Stark Sands Alexis Gerred
Johnny's friend. He accompanies Johnny to the city, but shortly joins the armed forces and is sent to war. Tunny suffers serious injuries and loses a leg. During his rehabilitation, he falls in beloved with his nurse, and she returns home with him.
Will Michael Esper Steve Rushton
Johnny'south friend. He plans to get out boondocks with the group until his girlfriend, Heather, reveals that she is significant with his child. Will stays at habitation in an alcohol and drug-infused depression.
St. Jimmy Tony Vincent Lucas Rush
An audacious drug dealer who is somewhen revealed to be a drug-befuddled manifestation of Johnny's id.
Whatsername Rebecca Naomi Jones Amelia Lily
An attractive young woman who accompanies Johnny on his journey. She eventually realizes that their relationship is subversive and leaves him.
Heather Mary Faber Natasha Barnes
Will's pregnant girlfriend. She leaves Volition and begins a human relationship with a rock and roll boyfriend, somewhen leading a life of glamour in stark contrast with Will'southward low.
The Boggling Girl Christina Sajous Raquel Jones
Tunny's rehab nurse. The ii fall in dear.

Groundwork [edit]

In 2000, Dark-green 24-hour interval released the anthology Warning. Hamlet Voice music critic Robert Christgau compared Alert to the band's previous album (Nimrod), and noted that "[Billie Joe Armstrong is] abandoning the first person. He'south assuming fictional personas. And he's creating for himself the voice of a thinking left-liberal." Christgau also detected "a faint whiff" of the work of the theatrical composer/lyricist team of Kurt Weill and Bertolt Brecht.[i] The tendency of writing in the third person came to fruition with Green Solar day'southward next studio album, American Idiot in 2004. The first new song Green Day wrote was the single "American Idiot".

One day, bassist Mike Dirnt was in the studio recording a 30-second vocal past himself. Armstrong decided that he wanted to do the same, and drummer Tré Cool followed accommodate. Armstrong recalled, "It started getting more serious as nosotros tried to outdo i another. Nosotros kept connecting these lilliputian one-half-infinitesimal bits until we had something." This musical suite became "Homecoming", and the group subsequently wrote another suite, "Jesus of Suburbia".

Green Solar day fabricated the record an album-long conceptual piece which was a response to the realities of the post-9/11 era.[2] The band took inspiration from the concept records by The Who,[three] sources in the musical theater repertoire similar The Rocky Horror Prove and W Side Story, and the concept album-come-stage musical Jesus Christ Superstar.[3] [iv] Armstrong also said the ring intended "that it would exist staged or we'd create a motion picture or something... we were thinking in terms that it kind of felt like scoring a movie."[4]

Managing director Michael Mayer heard the album and expressed an interest in adapting it for the phase. When he approached the band regarding a collaboration, they agreed to work with him.[5] The ring also gave Mayer a broad latitude for his adaptation later seeing his before work in Spring Awakening.[4] Though additional songs were included from the Greenish Day catalogue, Mayer added very piffling dialogue to the show. He felt instead that the music and lyrics were expressive enough on their own, and even removed some of the dialogue that was role of the Berkeley product before the bear witness moved to Broadway.[half-dozen]

Product history [edit]

Berkeley (2009) [edit]

The musical premiered at the Berkeley Repertory Theatre. Previews began on September 4, 2009, and the official opening was on September 15, 2009.[seven] After becoming the pinnacle-grossing show in the theatre's history, the producers extended the express run twice to November fifteen, 2009.[viii] The cast included John Gallagher Jr. as Johnny, Matt Caplan equally Tunny, Michael Esper as Will, Tony Vincent as St. Jimmy, Rebecca Naomi Jones as Whatsername, Mary Faber as Heather, and Christina Sajous as the Boggling Girl.[9]

Broadway (2010–2011) [edit]

The musical transferred to the St. James Theatre on Broadway, with previews beginning on March 24, 2010. Information technology officially opened on April xx, 2010.[10] The bandage for the Berkeley Repertory production was retained for the Broadway production, with the exception of Caplan, who was replaced by Stark Sands.[11] Information technology was rumored that the testify cost between $8 meg and $10 million to produce.[12] After six months of performances, the show was "even so a means off from possibly turning a profit" according to a The New York Times report.[12] Equally a part of the promotion for the evidence, the cast performed at the Grammy Awards on January 31, 2010, with Green 24-hour interval.[11]

The marquee above the St. James Theatre after the 350th performance of American Idiot

Tom Kitt was the music supervisor and orchestrator for both the Berkeley and Broadway productions.[13] The atomic number 82 producers for the show were Ira Pittelman and Tom Hulce.[14] Vivek Tiwary was another producer.[xv] The creative team for the show was largely the aforementioned as for the musical adaptation of Bound Awakening: director Michael Mayer, breathtaking designer Christine Jones and lighting designer Kevin Adams.[sixteen] Steven Hoggett was the choreographer,[17] Andrea Lauer was the costume designer and Brian Ronan was the sound designer.[18] [nineteen]

Greenish Day's Billie Joe Armstrong played the function of St. Jimmy from September 28 to October iii, 2010.[12] Ticket sales for the week Armstrong performed were up 77%, average ticket prices increased 22%, and gross sales increased 127% from the previous calendar week'due south totals.[20] [21] [22] The singer-songwriter filled in for Tony Vincent who took time off for personal matters.[12] [23] Armstrong made another fifty appearances as St. Jimmy betwixt January 1 and February 27, 2011.[24] [25] [26] Melissa Etheridge played the part of St. Jimmy on Broadway from February 1–6, 2011, and Davey Havok took the office from March 1–15, 2011.[27] [28]

Following Armstrong's departure from the cast, the show experienced weak sales.[29] The Broadway production closed on Apr 24, 2011, afterwards 27 previews and 421 performances. Armstrong returned to the role of St. Jimmy for the concluding three weeks.[xxx] The show'due south cast recording won the 2011 Grammy Award for Best Musical Prove Anthology.[31]

International Tour (2011–2014) [edit]

American Idiot toured N America beginning on December 28, 2011, in Toronto, Ontario, Canada. The original national tour bandage included Van Hughes reprising his role as Johnny, Jake Epstein as Will, Scott J. Campbell equally Tunny, Leslie McDonel as Heather, Gabrielle McClinton as Whatsername,[32] Nicci Claspell as The Extraordinary Girl, and Broadway alumnus Joshua Kobak as St. Jimmy.[33] The tour closed on July eight, 2012, at the Orpheum Theatre in San Francisco, California.[34] A non-Disinterestedness 2nd U.S. bout launched in the late summertime of 2012.[ commendation needed ]

A UK and Ireland tour visited Manchester, Southampton, Cardiff, Edinburgh, Glasgow, Dublin, Birmingham and London later in 2012.[35] The cast included Alex Nee as Johnny, Casey O'Farrell as Will, Thomas Hettrick as Tunny, Kennedy Caughell as Heather, Alyssa DiPalma as Whatsername, Jenna Rubaii equally The Extraordinary Girl, and Trent Saunders as St. Jimmy.[36] It started on October 9, 2012, in Southampton and ended on Dec 16, 2012, at HMV Hammersmith Apollo in London.[37] A second U.s.a. tour began performances in Norfolk, Virginia on January 25, 2013, with the UK touring cast. It ended Las Vegas, Nevada on June sixteen, 2013.

On August 7, 2013, American Idiot made its debut in Tokyo, Nippon, and a few weeks after on September five, information technology fabricated its South Korean debut in Seoul. Sean Michael Murray took over the role of Johnny, Mariah MacFarlane took over as Heather, and Daniel C. Jackson took over as St. Jimmy.

A non-Equity third U.s. national tour cast included Jared Nepute as Johnny, Casey O'Farrell as Will, Dan Tracy as Tunny, Mariah MacFarlane as Heather, Olivia Puckett as Whatsername, Taylor Jones as Extraordinary Daughter, and Daniel C. Jackson every bit St. Jimmy.[38] On Jan sixteen, 2014, Carson Higgins, who had previously been a part of the previous non-equity/UK bout, took over the role of St. Jimmy, after Daniel C. Jackson left the testify.[39] The tour ended on May 25, 2014.[ citation needed ]

Malmö (2015) [edit]

American Idiot 'southward Scandinavian premiere at the Malmö Opera from February to April 2015 was a new production of the musical. It was the first official production non to exist directed by Michael Mayer. The songs were performed in English simply the dialogue was spoken in Swedish.[40]

West Cease (2015, 2016) [edit]

A production opened in 2015 at the Arts Theatre in the West End. The cast includes Amelia Lily as Whatsername, Aaron Sidwell as Johnny, Alexis Gerred as Tunny, Steve Rushton equally Will and Lucas Rush every bit St. Jimmy[41] The show was produced by Sell a Door Theatre Company and directed and Choreographed by Racky Plews[42]

It was appear in Apr 2016 that the production would return to the Arts Theatre for the summer of 2016 after a UK tour last in Belfast in early July 2016.[43] Matt Thorpe played Johnny in the early stages of the tour until Newton Faulkner became bachelor. In the West End, Newton Faulkner continued to play Johnny. Matt Thorpe made a few further guest appearances as Johnny earlier taking over the role of Will from Steve Rushton.

San Jose (2016) [edit]

A production was completed in San Jose by City Lights Theatre Company. Information technology ran from July fourteen to August 21, merely was extended past an extra calendar week.[44]

Vancouver (2016) [edit]

A product past Fighting Risk Productions ran from July 28 to August 27 alongside the theatre company's production of Heathers at Granville Island's Waterfront Theatre. This was the Western Canadian premiere of American Idiot.[45]

Brisbane (2017) [edit]

American Idiot had its Australian debut at the Queensland Performing Arts Centre from February 23 to March 12.[46] The role of St. Jimmy was shared between Australian rock musicians Chris Cheney (The Living Finish), and Phil Jamieson (Grinspoon).[47]

Buenos Aires (2017) [edit]

A product opened in Buenos Aires, Argentina on Baronial xiv, 2017, and ran over the form of eight weeks.[ needs update ] All the songs from the musical were adjusted to Spanish with a few selected dates on its original language.

Copenhagen (2017 & 2021) [edit]

The first production in Copenhagen, Denmark opened on September fifteen, 2017. It played at legendary concert venue Den Graa Hal at Christiania, which was also the kickoff concert venue Green Mean solar day performed in Copenhagen in the 1990s. A revival of the bear witness will open 26 June 2021 at the iconic Østre Gasværk Teater as one of the kickoff musical theatre productions to play in Denmark after lockdown due to the corona pandemic.[48] [ needs update ]

Frankfurt (2018) [edit]

On January 17, 2018, the first German language production of American Idiot opened at the renowned rock concert venue Batschkapp in Frankfurt. The production, which is mounted by the startup visitor Off-Musical Frankfurt, is directed by Thomas Helmut Heep. The creative team as well consists of Ludwig Mond (choreographer) and Dean Wilmington (musical manager). The lyrics were translated into German past Titus Hoffmann.[49] The product garnered positive reviews, with Jens Alsbach from Musicalzentrale saying that it "sets new standards for musical theatre in Germany."[l]

Australian Tour (2018) [edit]

Following the success of the musical'south 2017 run in Brisbane, it returned for a second season in 2018, touring effectually Commonwealth of australia. Performances took place in Sydney, Adelaide, Perth and Melbourne, before returning to Brisbane, and and then ending in Darwin. The office of St. Jimmy was shared between Australian rock musicians Phil Jamieson (Grinspoon), Sarah McLeod (The Superjesus)[51] and Adalita Srsen (Magic Dirt).[52]

Rio de Janeiro (TBA) [edit]

A production will open in Rio de Janeiro. First announced in 2017, it currently has no release date.[53] [ needs update ]

São Paulo (TBA) [edit]

A production was expected to debut in São Paulo in the 2d one-half of 2018.[54] [ needs update ]

Morristown (2019) [edit]

From February eight through February 17, Encore Theatrical Company presented a limited half dozen show date; the production was hailed by audiences and critics alike and featured aeriform sequences staged past Jason Whicker (aerial choreographer from the original Berkeley Rep production) and On the Fly Productions.[55]

UK (2019) [edit]

The tenth anniversary tour was planned for the Uk.[56] The bandage includes Tom Milner every bit Johnny, Joshua Dowen as Tunny, Samuel Pope as Will, Luke Friend every bit St. Jimmy, Sam Lavery as Whatsername.[57] The tour wrapped on July 14, 2019.[ citation needed ]

Musical numbers [edit]

The show features all of the songs from the anthology American Idiot, some b-sides from the "American Idiot" and "21 Guns" singles, and a few songs from 21st Century Breakdown.[58] The evidence also features an onstage ring.[59]

  • "American Idiot" – Company
  • "Jesus of Suburbia"
    • "Jesus of Suburbia" – Johnny and Volition
    • "City of the Damned" – Tunny, Johnny, Volition, & Company
    • "I Don't Intendance" – Johnny, Will, Tunny, & Company
    • "Dearly Beloved" – Heather & Men
    • "Tales of Another Cleaved Home" – Johnny, Will, Tunny, Heather, & Visitor
  • "Holiday" – Johnny, Tunny, Theo, & Visitor
  • "Boulevard of Broken Dreams" – Johnny, Whatsername, Tunny, & Men
  • "Favorite Son" – Favorite Son & Women
  • "Are Nosotros the Waiting" – Tunny, Favorite Son, & Visitor
  • "St. Jimmy" – Johnny, Declan, Theo, St. Jimmy, & Visitor
  • "Requite Me Novacaine" – Will, Tunny, & Company
  • "Last of the American Girls/She'southward a Rebel" – Johnny, Whatsername, Gerard, Chase, St. Jimmy, & Company
  • "Last Nighttime on Earth" – St. Jimmy, Whatsername, Heather, & Company
  • "Likewise Much Also Before long" – Theo, Alysha, Volition, & Heather
  • "Before the Lobotomy" – Tunny, Joshua, Ben, & Chase
  • "Extraordinary Girl" – Extraordinary Girl, Tunny, & Visitor
  • "Earlier the Lobotomy (Reprise)" – Tunny, Joshua, Ben, & Chase
  • "When Information technology'due south Time" – Johnny
  • "Know Your Enemy" – St. Jimmy, Volition, Johnny, & Company
  • "21 Guns" – Whatsername, Extraordinary Daughter, Heather, Tunny, Johnny, Volition, & Company
  • "Letterbomb" – Whatsername & Women
  • "Wake Me Upwards When September Ends" – Johnny, Will, Tunny, & Company
  • "Homecoming"
    • "The Death of St. Jimmy" – St. Jimmy & Johnny
    • "Eastward twelfth St." – Johnny, Theo, Gerard, & Visitor
    • "Nobody Likes You" – Will & Company
    • "Stone and Roll Girlfriend" – Heather, Volition, & Company
    • "We're Coming Home Once again" – Johnny, Tunny, Will, & Company
  • "Whatsername" – Johnny & Company
  • "Skilful Riddance (Fourth dimension of Your Life)" – Visitor (Curtain call)

Greenish Twenty-four hours re-released the single "21 Guns" with the musical cast on Spinner.com on December three, 2009.[60] This version features Billie Joe Armstrong, together with Christina Sajous, Rebecca Naomi Jones, Mary Faber, and Stark Sands, with back-up from the rest of American Idiot cast. Another version was released with John Gallagher Jr., Michael Esper, and Sands singing the parts that Armstrong had previously sung. Green Mean solar day and the bandage of the musical besides performed the song at the 52nd Annual Grammy Awards on January 31, 2010.[61]

The original cast recording of the musical was released on April twenty, 2010.[62] The bandage anthology includes all the songs featured in the musical plus a brand new recording of "When Information technology's Time" by Green Day. The album won Best Musical Show Album at the 53rd Annual Grammy Awards.[31]

Disquisitional reception [edit]

Reviews for the Berkeley Repertory Theatre production were mixed. Charles McNulty of the Los Angeles Times chosen the show "kinetically entertaining in a way that intentionally reflects the shallow, media-saturated civilization the anthology rails against".[63] Karen D'Souza of San Jose Mercury News called the production "a thrashing collage of songs fused together with hypnotic movement and eye-popping visuals" and idea the show "equally compelling equally it is abstract [and] channels the grungy spirit of punk while also plucking at the heartstrings."[64] Even so, Jim Harrington of the Oakland Tribune compared the show unfavorably to the original album, writing: "[what] in one case was a fine Gouda, has been prepackaged every bit Velveeta", and continued sarcastically, "In other words, it should do big business on Broadway."[65] Charles Isherwood of The New York Times commented that the evidence contained "characters who lack much in the way of emotional depth or specificity, and plotlines that are simple to the bespeak of crudity" but also felt that "the show possesses a stimulating free energy and a vision of wasted youth that holds usa in its grip."[66]

Isherwood's review for the Broadway production was enthusiastic. He chosen the testify "a pulsating portrait of wasted youth that invokes all the standard genre conventions... only to transcend them through the power of its music and the artistry of its execution, the prove is every bit invigorating and ultimately every bit moving as anything I've seen on Broadway this flavour. Or maybe for a few seasons past."[67] Jed Gottlieb of the Boston Herald enjoyed the premise of the show but found that "the music and bulletin suffer in a setting where the audition is politely, soberly seated".[68] Michael Kuchwara of the Associated Press constitute the show to exist "visually hitting [and] musically adventurous", but noted that "the show has the barest wisp of a story and minimal character evolution".[69] Paul Kolnik in USA Today enjoyed the contradiction that Dark-green Mean solar day's "massively popular, starkly disenchanted album ... would be the feel-good musical of the season".[70] Time mag's Richard Zoglin opined that the score "is equally pure a specimen of contemporary punk rock as Broadway has yet encountered [all the same] in that location's enough diverseness.... Where the bear witness fall short is as a fully developed narrative." He concluded that "American Idiot, despite its earnest huffing and puffing, remains little more than an annotated rock concert.... All the same, [it] deserves at to the lowest degree two cheers – for its irresistible musical energy and for opening fresh vistas for that odd couple, rock and Broadway."[71] Peter Travers from Rolling Stone wrote, "Though American Idiot carries echoes of such rock musicals as Tommy, Pilus, Rent and Jump Awakening, it cuts its own path to the heart. Y'all won't know what striking yous. American Idiot knows no limits — it's a global knockout."[72]

Paul Taylor's review in The Independent hails American Idiot equally "the Pilus of its generation".[73] All the same, as noted by Harry Lou in The Indianapolis Business concern Journal, "[i]ts female person characters are sketched even lighter than the main men are".[74] Although intended to empower the disillusioned youth of early on 21st century America, American Idiot excludes the female voice from this discourse.[75] This disempowering of the female is axiomatic in the fact that the female leads are denied identity, let lone agency.[76] Only one of the iii is given a proper noun, and all represent a stereotypical form of 'woman'; the mother, the creative muse, and the object of the voyeuristic male person gaze.[77]

Reviews of the West End product were by and large positive. Rachel Ward of The Telegraph gave information technology four out of 5 stars, calling "90 minutes of uninterrupted chaos".[78] Kate Stanbury from Official London Theatre summarized, "Chaotic, intense and pulsating with legendary Green Twenty-four hours hits, a trip to this Tony Award-winning musical may just requite you the time of your life."[79] Paul Taylor of The Independent likewise gave four out of 5 stars, praising director and choreographer Racky Plews for making "a sharp-witted version that throbs with some of the energy of a rock gig (if minus the feeling of unpredictability) while being shrewdly calibrated to suit the intimacy of the 350-seater Arts Theatre."[80]

Awards and nominations [edit]

American Idiot won a total of v awards. At a coming together of the Tony Administration Committee on April thirty, 2010, the score of American Idiot was deemed ineligible for a Tony Laurels for Best Original Score nomination considering less than 50% of it was written for the stage production.[81]

Broadway product [edit]

Year Award Ceremony Category Nominee Result Ref
2010 Drama League Awards Distinguished Production of a Musical Billie Joe Armstrong and Michael Mayer (book); Billie Joe Armstrong (lyrics); Green Day (music) Nominated [82]
Distinguished Performance John Gallagher Jr. Nominated
Tony Vincent Nominated
Outer Critics Circle Awards Outstanding New Broadway Musical Nominated [83] [84]
Outstanding Lighting Blueprint (Play or Musical) Kevin Adams Won
Drama Desk-bound Awards Outstanding Musical Nominated [85] [86]
Outstanding Managing director of a Musical Michael Mayer Won
Outstanding Orchestrations Tom Kitt Nominated
Tony Awards Best Musical Nominated [87]
Best Scenic Design of a Musical Christine Jones Won
Best Lighting Blueprint of a Musical Kevin Adams Won
2011 Grammy Awards Best Musical Show Album Billie Joe Armstrong (producer); Chris Dugan & Chris Lord-Alge (engineers/mixers) Won [31]

Brisbane production [edit]

Year Award Ceremony Category Nominee Result Ref
2017 Helpmann Awards All-time Female person Actor in a Supporting Office in a Musical Phoebe Panaretos Nominated [88]
All-time Lighting Pattern Matt Marshall Nominated

Broadway attendances, performances, and gross receipts [edit]

The following is a calendar month-by-month breakdown of sales, omnipresence, and performance data for the production at the 1,709-capacity St. James Theatre.[89]

Time period Attendance Gross sales Average Paid Admission Percent of Capacity References
March 24 – April iv, 2010 (12 previews) xvi,879 $i,312,033 $77.73 82.3% [90] [91]
April five – May 2, 2010 (fourteen previews, 16 performances) 38,195 $2,591,496 $67.85 74.5% [92] [93] [94] [95]
May 3 – June 6, 2010 (40 performances) 47,371 $3,898,058 $82.29 69.3% [96] [97] [98] [99] [100]
June seven – July iv, 2010 (31 performances) 36,876 $3,082,501 $83.59 69.6% [101] [102] [103] [104]
July 5 – Baronial 1, 2010 (32 performances) 39,793 $3,199,187 $80.xl 72.8% [105] [106] [107] [108]
August 2 – September v, 2010 (xl performances) 45,125 $3,535,540 $78.35 66.0% [109] [110] [111] [112] [113]
September 6 – Oct 3, 2010 (31 performances) 36,363 $ii,491,234 $68.51 68.six% [21] [114] [115] [116]
October four – 31, 2010 (32 performances) 28,202 $1,983,404 $lxx.33 51.6% [117] [118] [119] [120]
November 1 – December 5, 2010 (40 performances) 33,334 $2,452,032 $73.56 48.viii% [121] [122] [123] [124] [125]
December 6, 2010 – Jan 2, 2011 (32 performances) 33,694 $2,694,839 $79.98 61.6% [126] [127] [128] [129]
Jan 3 – February 6, 2011 (xl performances) 47,347 $three,912,616 $82.64 69.3% [130] [131] [132] [133] [134]
February vii – March 6, 2011 (32 performances) 43,148 $3,818,799 $88.50 78.nine% [135] [136] [137] [138]
March 7 – Apr 3, 2011 (32 performances) 32,498 $1,912,847 $58.86 59.four% [139] [140] [141] [142]
Apr iv–24, 2011 (24 performances) 31,898 $2,913,465 $91.34 77.8% [143] [144] [145]
Totals
422 performances, 26 previews 510,723 $39,798,051 $77.92 66.vii%

Documentary [edit]

On January 23, 2012, it was announced that a documentary showing Armstrong's journey from punk rock to Broadway was to exist released.[146] Called Broadway Idiot and showing a lot of backside-the-scenes of the musical product, the movie was directed past Doug Hamilton, veteran television journalist for CBS News' 60 Minutes and PBS documentaries such as Nova, Frontline and American Masters. A trailer was released on January thirty, 2013.[147] The documentary premiered at the Southward by Southwest Motion-picture show Festival on March 15, 2013.[148] On Oct eleven, 2013, it was released in some theaters and on video on demand by FilmBuff.[149]

Flick review aggregator Rotten Tomatoes reports that 65% of critics gave the film a positive review based on twenty reviews, with an average score of 5.8/x.[150] On Metacritic, which assigns a normalised rating out of 100 based on reviews from critics, the movie has a score of 51 (citing "mixed or average reviews") based on 14 reviews.[151]

Cancelled film adaptation [edit]

In Apr 2011, product company Playtone optioned the musical to develop a film version, and Universal Pictures began initial negotiations to distribute it. Michael Mayer, who directed the Broadway production, was named as director. Dustin Lance Black was initially hired to adapt the musical.[152] Billie Joe Armstrong was asked to star as St. Jimmy, and the film was proposed for a 2013 release.[153] Armstrong later posted on his Twitter account that he had not "totally committed" to the role but was interested in it.[154]

In July 2013, at a screening of Broadway Idiot, Mayer reported that the motion-picture show adaptation was even so happening, but production had non been scheduled due to "Hollywood bullshit".[155] In March 2014, playwright Rolin Jones told the Hartford Courant that he was writing a new screenplay for the motion picture. Comparing it to the musical, Jones said, "The thought is to go it a little dirtier and a little nastier and translate it into visual terms. There's not going to be a lot of dialogue and it probably should be a fiddling shorter, as well. Afterwards that, information technology just takes its 'motion-picture show time' in getting done". He expected to cease the script by the stop of the calendar month.[156]

In October 2016, in an interview with NME, Armstrong revealed that the motion picture was at present existence made at HBO and the script was getting rewrites. He confirmed he would reprise his Broadway office equally St. Jimmy.[157] In November 2016, Armstrong stated that the motion-picture show was "going to be a lot different from the musical. It's kind of, more surreal but I think there's going to be parts of information technology that might offend people – which is good. I think it's a good time to offend people. I call back there's simply going to be a lot of imagery that we couldn't pull off in the musical in the phase version. You know, I don't desire to requite away as well much, merely it volition be shocking in a way which makes you think."[158]

In February 2020, Billie Joe Armstrong revealed to NME that plans for a moving picture accommodation of the stage musical had been "pretty much scrapped", without providing any more than details as to the reason.[159]

References [edit]

  1. ^ Christgau, Robert (2000-10-17), "Ina Dancehall Groove—Finally", The Village Vocalisation
  2. ^ Itzkoff, Dave (2009-03-29), "Punk CD Is Going Theatrical", New York Times
  3. ^ a b di Perna, Alan. "Combat Rock". Guitar World (Holiday 2004).
  4. ^ a b c Jones, Kenneth (2010-04-xx), "Green Day'south American Idiot, the Musical, Opens on Broadway", Playbill.com, archived from the original on 2010-04-23
  5. ^ Jones, Kenneth (2009-09-16), "Green Day's American Idiot, the Musical, Opens on Broadway", Playbill.com, archived from the original on 2010-04-21
  6. ^ Healy, Patrick (2010-04-01), "Finding the Musical Hidden in a Punk Album", New York Times
  7. ^ McElroy, Steven (2009-09-10), "Shakespeare, Singing and Solo Shows Galore", The New York Times
  8. ^ Jones, Kenneth (2009-09-xxx), "American Idiot, a Bay Area Blast, Volition Play to Nov. 15", Playbill.com, archived from the original on 2010-01-22
  9. ^ Ng, David (2009-08-03), "Berkeley Rep announces bandage for Green Day's 'American Idiot'", Los Angeles Times
  10. ^ Jones, Kenneth (2010-01-fifteen), "American Idiot Will Stone Broadway's St. James Starting March 24", Playbill.com, archived from the original on 2010-01-07
  11. ^ a b Jones, Kenneth (2010-01-28), "Broadway'southward American Idiot Cast Announced; Troupe Will Appear on Grammys January. 31", Playbill.com, archived from the original on 2010-02-06
  12. ^ a b c d Healy, Patrick (2010-09-27), "Rocker Follows His Work Onto a Broadway Stage", New York Times
  13. ^ "American Idiot Opens At Berkeley Rep 9/xvi", BroadwayWorld.com, 2009-09-xvi
  14. ^ McKinley, Jesse (2009-09-17), "Light-green Day Reaches a New Stage", The New York Times
  15. ^ Siegel, Tatiana (2012-x-x), "NY Comic-Con: Beatles Manager Getting Biopic From Broadway's Vivek J. Tiwary", The Hollywood Reporter
  16. ^ Napoleon, Davi (2010-02-19), "12 Q iv Christine Jones: Creating "Theater for I," Designing "American Idiot"", The Faster Times, archived from the original on 2010-02-23, retrieved 2010-02-xx
  17. ^ Gold, Sylviane (2012-04-10). "Steven Hoggett is the anti-dance choreographer". Los Angeles Times . Retrieved 2012-06-25 .
  18. ^ Gans, Andrew; Hetrick, Adam (May 15, 2012). "Bring It On: The Musical Will Play Limited Run at Broadway's St. James Theatre". Paybill. Archived from the original on May 19, 2012. Retrieved June 1, 2012.
  19. ^ "American Idiot". greenday.com. Green Day. Archived from the original on June 22, 2011. Retrieved June one, 2012.
  20. ^ Healy, Patrick (2010-ten-04), "Billie Joe Armstrong Adds New Number to 'American Idiot'", New York Times
  21. ^ a b Ku, Andrew (2010-10-04), "Broadway Grosses: Sept. 27 – October. 3", Playbill.com, archived from the original on 2010-ten-10
  22. ^ Jones, Kenneth (2010-10-04), "Billie Joe Armstrong Pushes Idiot B.O. Beyond $1 Million, More Double Previous Week", Playbill.com, archived from the original on 2010-10-07
  23. ^ "Billie Joe Armstrong Does American Idiot". UpVenue. eight Oct 2010. Archived from the original on xi October 2010. Retrieved 2010-10-09 .
  24. ^ "Billie Joe on Broadway is back: Billie Joe Armstrong returns as "St. Jimmy" beginning 1/ane/11". Twitter. Twitter. Retrieved thirty November 2010.
  25. ^ "American Idiot – Billie Joe Armstrong returns to the cast every bit St. Jimmy for 50 performances only!". AmericanIdiotonBroadway.com. American Idiot On Broadway. Archived from the original on 2010-12-03. Retrieved 30 November 2010.
  26. ^ "Billie Joe to Render to Broadway equally St. Jimmy". UpVenue. ane December 2010. Retrieved 2010-12-01 .
  27. ^ "Melissa Etheridge as St. Jimmy in American Idiot". UpVenue. xviii Jan 2011. Archived from the original on 2011-01-19. Retrieved 2011-01-eighteen .
  28. ^ "AFI's Davey Havok Taking Over For Billie Joe Armstrong in American Idiot". ArtistDirect. 10 February 2011. Retrieved 2011-xi-09 .
  29. ^ "With Billie Joe Gone, 'American Idiot' Ticket Sales Plunge". New York Times. 2011-03-07. Retrieved 2011-03-08 .
  30. ^ "American Idiot to Close April 24; Billie Joe Armstrong to Return April 5". BroadwayWorld.com . Retrieved Baronial 14, 2011.
  31. ^ a b c "American Idiot Wins Grammy for Best Musical Prove Album!", BroadwayWorld.com, 2011-02-13
  32. ^ "Gabrielle McClinton Theatre Credits, News, Bio and Photos". www.broadwayworld.com . Retrieved 2020-x-23 .
  33. ^ "Playbill.com". Playbill.com. February 11, 2011. Archived from the original on 2011-06-29. Retrieved August 14, 2011.
  34. ^ "American Idiot (Tour): Tour Stops". Internet Broadway Database. Retrieved June 10, 2019.
  35. ^ "American Idiot The Musical". Retrieved Feb xi, 2012.
  36. ^ "Cast". americanidiotthemusical.co.uk. American Idiot The Musical UK. Archived from the original on 2012-02-27. Retrieved July 1, 2012.
  37. ^ Lee, Ann (December i, 2012). "Green Day'due south American Idiot musical to bout UK and Republic of ireland in 2012". Metro Britain . Retrieved July i, 2012.
  38. ^ "Archived copy". Archived from the original on 2013-09-26. Retrieved 2013-10-28 . {{cite web}}: CS1 maint: archived copy as title (link)
  39. ^ Higgins, Carson (January xvi, 2014). "Today'south the big day. Going on as St. Jimmy tonight in Austin. #everythingsbiggerintexas".
  40. ^ "Malmö Opera goes stone!", MalmoOpera.se, accessed October iii, 2015
  41. ^ Ward, Rachel. "American Idiot, Arts Theatre, review: 'uninterrupted chaos'", The Telegraph, July 23, 2015
  42. ^ Taylor, Paul. "American Idiot, Arts Theatre, review: 'energy of a Billie Joe Armstrong gig'", The Independent, July 23, 2015
  43. ^ "American Idiot returns to the West End | WhatsOnStage". www.whatsonstage.com.
  44. ^ "City Lights Theatre Company'southward production of American Idiot". July 14, 2016. Retrieved Baronial 17, 2016.
  45. ^ "American Idiot | Fighting Chance Productions". Archived from the original on 2016-08-27. Retrieved 2016-08-23 .
  46. ^ "Light-green Solar day's 'American Idiot' Musical Announces Debut Australian Run". Music Feeds. October 24, 2016. Retrieved Oct 26, 2016.
  47. ^ "Chris Cheney & Phil Jamieson Volition Star In The Aussie Run Of Green Day'south 'American Idiot' Musical - Music Feeds". Music Feeds. 2017-01-16. Retrieved 2017-08-31 .
  48. ^ "Archived copy". Archived from the original on 2017-09-27. Retrieved 2017-09-26 . {{cite web}}: CS1 maint: archived copy equally title (link)
  49. ^ "Archived copy". Archived from the original on 2018-01-30. Retrieved 2018-01-29 . {{cite web}}: CS1 maint: archived re-create as title (link)
  50. ^ u.a, Michael Rieper, Claudia Leonhardt. "musicalzentrale - American Idiot - offMusical Frankfurt am Chief - Keine aktuellen Aufführungstermine". musicalzentrale.de.
  51. ^ "American Idiot to bout Australia in 2018". Arts Review. 2017-ten-02. Retrieved 2019-04-06 .
  52. ^ Keenan, Amanda (28 January 2018). "Feisty frontwoman: American Idiot star Adalita Srsen a stone rebel". The West Australian. The West Australian. Retrieved 10 July 2019.
  53. ^ "Mauro Mendonça Filho vai montar 'American idiot' no Rio". O Globo (in Portuguese). February 25, 2016. Retrieved Feb 25, 2016.
  54. ^ "'O Senhor das Moscas' vai virar musical em maio". Folha de São Paulo (in Portuguese). March 26, 2017. Retrieved April 10, 2017.
  55. ^ Writer, Glenna Howington, Tribune Staff. "Encore's 'American Idiot' challenges, shines and succeeds". Citizen Tribune . Retrieved 2019-02-28 .
  56. ^ BWW News Desk. "Tom Milner, Luke Friend, and Sam Lavery Will Lead 10th Anniversary Bout Of Green Twenty-four hour period's AMERICAN IDIOT". BroadwayWorld.com.
  57. ^ "American Idiot 2019 ceremony bout cast announced | WhatsOnStage". world wide web.whatsonstage.com.
  58. ^ "2009–10 season > American Idiot". Berkeley, California, United States: BerkeleyRep.org. Archived from the original on 24 May 2010. Retrieved 2010-05-x .
  59. ^ Hurwitt, Robert (2009-03-31), "Green Day's hits plow into Berkeley Rep musical", San Francisco Relate
  60. ^ Horne, Adam (2009-12-03), "Dark-green 24-hour interval With the 'American Idiot' Cast, '21 Guns' – Vocal Premiere", Spinner.com, archived from the original on 2011-08-12
  61. ^ Tan, Emily (2010-01-31), "Greenish Day Win All-time Rock Anthology at Grammys", Spinner.com, archived from the original on 2011-01-02
  62. ^ Greenish Day (2010-02-22). "2010-xix-02 14:48". Status. New York, U.s.a.: Twitter. Retrieved Feb 22, 2010.
  63. ^ McNulty, Charles (October 10, 2009), "Theater Review: Adrenaline-malaise, all 24-hour interval long. The suburban-rebel ache of Greenish Mean solar day'south 'American Idiot' album", Los Angeles Times
  64. ^ D'Souza, Karen (September 17, 2009), "Review: Light-green Mean solar day's 'American Idiot' punk extravaganza makes a white-hot debut – The Mercury News", San Jose Mercury News , retrieved July xi, 2017
  65. ^ Harrington, Jim (2009-09-17), "Harrington: Music loses its edge in Dark-green Day'south 'American Idiot'play", Oakland Tribune
  66. ^ Isherwood, Charles (2009-10-ten), "Staging Youth's Existential Quest With Green Twenty-four hours Variations", New York Times
  67. ^ Isherwood, Charles (2010-04-21), "Stomping Onto Broadway With a Punk Atmosphere Tantrum", New York Times
  68. ^ Gottlieb, Jed (2010-04-19), "Tale told by 'Idiot' lacks audio, fury", Boston Herald, archived from the original on 2010-10-07
  69. ^ Kuchwara, Michael (2009-04-25), "Alienation sings! 'American Idiot' comes to Broadway", Associated Press
  70. ^ Kolnik, Paul (2010-04-21), "'American Idiot' elevates promise in a higher place nihilism", The states Today
  71. ^ Zoglin, Richard (2010-05-03), "Punks Take Broadway", Time, archived from the original on 2010-04-21
  72. ^ Travis, Peter (2010-04-23), "Green Day Blast Broadway with American Idiot", Rolling Stone
  73. ^ Taylor, Paul (July 22, 2015). "American Idiot: The Musical, Review: Pulsating Green Day Grunge-fest Throbs with Free energy of a Billie Joe Armstrong Gig". The Independent. London. Retrieved May 13, 2017.
  74. ^ Lou, Harry (2013-04-08). "Rock Solid: Malaise-ridden 'American Idiot' Works for More than than Merely Light-green 24-hour interval Fans". The Indianapolis Business concern Periodical. 34 (half-dozen): 29–30. ISSN 0274-4929.
  75. ^ Gioia, Michael (2015-03-25). "Exclusive! In Green Day Fashion, American Idiot Will Get Immersive Staging in 50.A. Warehouse". Playbill . Retrieved 2017-05-13 .
  76. ^ Wolf, Stacy (2011). Changed for Good: A Feminist History of the Broadway Musical. New York: Oxford University Press. p. 241. ISBN9780199897018.
  77. ^ Loots, Lliane (2001). "Re-Situating Culture in the Body Politic". Agenda: Empowering Women for Gender Disinterestedness. 49: nine–14. doi:x.2307/4066487. JSTOR 4066487.
  78. ^ "American Idiot, Arts Theatre, review: 'uninterrupted chaos'". The Telegraph. 23 July 2015. Retrieved 23 July 2015.
  79. ^ "AMERICAN IDIOT". Official London Theatre. 23 July 2015. Retrieved 23 July 2015.
  80. ^ "American Idiot: The Musical, review: Pulsating Green Twenty-four hours grunge-fest throbs with energy of a Billie Joe Armstrong gig". The Independent. 23 July 2015. Retrieved 23 July 2015.
  81. ^ Healy, Patrick (2010-04-30), "Some Plays Eligible for Best-Score Tony, but Non 'American Idiot' or 'Fela!'", New York Times
  82. ^ "2010 Drama League Nominations Announced!", BroadwayWorld.com, 2010-04-20
  83. ^ Gans, Andrew (2010-04-26), "Outer Critics Circle Awards Noms Announced; Memphis, Royal Family Meridian Listing", Playbill
  84. ^ Awards for 2009-2010
  85. ^ Gans, Andrew (2010-05-03), "Drama Desk Honor Nominations Announced; Ragtime and Scottsboro Top List", Playbill
  86. ^ Gans, Andrew (2010-05-23), "Red, Memphis, Span, Fences and La Cage Win Drama Desk-bound Awards", Playbill
  87. ^ Jones, Kenneth."Cerise, Memphis, La Cage aux Folles, Fences Win 2010 Tony Awards" Playbill, June 14, 2010
  88. ^ "Helpmann Awards". world wide web.helpmannawards.com.au . Retrieved 2017-07-19 .
  89. ^ Sales data is reported weekly. For the sake of simplicity, the financial month starts on the first Mon of the calendar month.
  90. ^ Ku, Andrew (2010-03-29), "Broadway Grosses: March 22–28", Playbill.com, archived from the original on 2010-04-01
  91. ^ Gewirtzman, David (2010-04-05), "Broadway Grosses: March 29 – April iv", Playbill.com, archived from the original on 2010-05-09
  92. ^ Gewirtzman, David (2010-04-12), "Broadway Grosses: Apr 5–eleven", Playbill.com, archived from the original on 2010-04-fifteen
  93. ^ Ku, Andrew (2010-04-nineteen), "Broadway Grosses: Apr 12–eighteen", Playbill.com, archived from the original on 2010-04-22
  94. ^ Ku, Andrew (2010-04-26), "Broadway Grosses: Apr xix–25", Playbill.com, archived from the original on 2010-04-29
  95. ^ Ku, Andrew (2010-05-03), "Broadway Grosses: April 26 – May 2", Playbill.com, archived from the original on 2010-05-06
  96. ^ Ku, Andrew (2010-05-10), "Broadway Grosses: May three–ix", Playbill.com, archived from the original on 2010-05-xiii
  97. ^ Ku, Andrew (2010-05-17), "Broadway Grosses: May 10–16", Playbill.com, archived from the original on 2010-05-20
  98. ^ Ku, Andrew (2010-05-24), "Broadway Grosses: May 17–23", Playbill.com, archived from the original on 2010-05-27
  99. ^ Ku, Andrew (2010-06-02), "Broadway Grosses: May 24–thirty", Playbill.com, archived from the original on 2010-06-04
  100. ^ Ku, Andrew (2010-06-07), "Broadway Grosses: May 31 – June vi", Playbill.com, archived from the original on 2010-06-09
  101. ^ Ku, Andrew (2010-06-fourteen), "Broadway Grosses: June 7–13", Playbill.com, archived from the original on 2010-06-16
  102. ^ Ku, Andrew (2010-06-21), "Broadway Grosses: June 14–20", Playbill.com, archived from the original on 2010-06-26
  103. ^ Gewirtzman, David (2010-06-28), "Broadway Grosses: June 21–27", Playbill.com, archived from the original on 2010-07-02
  104. ^ Ku, Andrew (2010-07-06), "Broadway Grosses: June 28 – July 4", Playbill.com, archived from the original on 2010-07-09
  105. ^ Ku, Andrew (2010-07-12), "Broadway Grosses: July five–11", Playbill.com, archived from the original on 2010-07-14
  106. ^ Ku, Andrew (2010-07-19), "Broadway Grosses: July 12–18", Playbill.com, archived from the original on 2010-07-22
  107. ^ Ku, Andrew (2010-07-26), "Broadway Grosses: July xix–25", Playbill.com, archived from the original on 2010-07-29
  108. ^ Ku, Andrew (2010-08-02), "Broadway Grosses: July 26 – Aug. one", Playbill.com, archived from the original on 2010-08-05
  109. ^ Ku, Andrew (2010-08-09), "Broadway Grosses: Aug. two–viii", Playbill.com, archived from the original on 2010-08-19
  110. ^ Ku, Andrew (2010-08-16), "Broadway Grosses: Aug. 9–15", Playbill.com, archived from the original on 2010-08-xix
  111. ^ Ku, Andrew (2010-08-23), "Broadway Grosses: Aug. ix–xv", Playbill.com, archived from the original on 2010-08-24
  112. ^ Ku, Andrew (2010-08-30), "Broadway Grosses: Aug. 9–15", Playbill.com, archived from the original on 2010-09-02
  113. ^ Ku, Andrew (2010-09-07), "Broadway Grosses: Aug. thirty – Sept. 5", Playbill.com, archived from the original on 2010-09-x
  114. ^ Ku, Andrew (2010-09-13), "Broadway Grosses: Sept. half-dozen–12", Playbill.com, archived from the original on 2010-09-16
  115. ^ Gewirtzman, David (2010-09-20), "Broadway Grosses: Sept. xiii–19", Playbill.com, archived from the original on 2010-09-24
  116. ^ Ku, Andrew (2010-09-27), "Broadway Grosses: Sept. 20–26", Playbill.com, archived from the original on 2010-10-03
  117. ^ Ku, Andrew (2010-ten-12), "Broadway Grosses: Oct. 4–x", Playbill.com, archived from the original on 2012-10-18
  118. ^ Gewirtzman, David (2010-10-eighteen), "Broadway Grosses: Oct. 11–17", Playbill.com, archived from the original on 2010-10-20
  119. ^ Ku, Andrew (2010-ten-25), "Broadway Grosses: October. 18–24", Playbill.com, archived from the original on 2010-10-30
  120. ^ Ku, Andrew (2010-11-01), "Broadway Grosses: October. 25–31", Playbill.com, archived from the original on 2010-xi-07
  121. ^ Ku, Andrew (2010-eleven-08), "Broadway Grosses: November. 1–7", Playbill.com, archived from the original on 2010-11-eleven
  122. ^ Ku, Andrew (2010-11-15), "Broadway Grosses: Nov. 8–14", Playbill.com, archived from the original on 2010-11-xix
  123. ^ Ku, Andrew (2010-eleven-22), "Broadway Grosses: November. 15–21", Playbill.com, archived from the original on 2011-02-19
  124. ^ Ku, Andrew (2010-11-29), "Broadway Grosses: Nov. 22–28", Playbill.com, archived from the original on 2010-12-01
  125. ^ Ku, Andrew (2010-12-06), "Broadway Grosses: November. 29 – Dec. 5", Playbill.com, archived from the original on 2010-12-12
  126. ^ Ku, Andrew (2010-12-13), "Broadway Grosses: Dec. half-dozen–12", Playbill.com, archived from the original on 2010-12-sixteen
  127. ^ Gewirtzman, David (2010-12-20), "Broadway Grosses: Dec. 13–19", Playbill.com, archived from the original on 2010-12-22
  128. ^ Gewirtzman, David (2010-12-28), "Broadway Grosses: Dec. 20–26", Playbill.com, archived from the original on 2011-12-26
  129. ^ Ku, Andrew (2011-01-03), "Broadway Grosses: Dec. 27 – January. 2", Playbill.com, archived from the original on 2012-09-06
  130. ^ Ku, Andrew (2011-01-ten), "Broadway Grosses: January. 3–9", Playbill.com, archived from the original on 2011-01-20
  131. ^ Ku, Andrew (2011-01-xviii), "Broadway Grosses: January. ten–16", Playbill.com, archived from the original on 2011-01-21
  132. ^ Ku, Andrew (2011-01-24), "Broadway Grosses: Jan. 17–23", Playbill.com, archived from the original on 2011-01-26
  133. ^ Ku, Andrew (2011-01-31), "Broadway Grosses: Jan. 24–30", Playbill.com, archived from the original on 2011-02-02
  134. ^ Gewirtzman, David (2011-02-07), "Broadway Grosses: Jan. 31-Feb. 6", Playbill.com, archived from the original on 2011-02-09
  135. ^ Ku, Andrew (2011-02-14), "Broadway Grosses: Feb. 7–thirteen", Playbill.com, archived from the original on 2011-02-eighteen
  136. ^ Gewirtzman, David (2011-02-22), "Broadway Grosses: February. 14–20", Playbill.com, archived from the original on 2011-02-24
  137. ^ Ku, Andrew (2011-02-28), "Broadway Grosses: Feb. 21–27", Playbill.com, archived from the original on 2011-03-02
  138. ^ Ku, Andrew (2011-03-07), "Broadway Grosses: Feb. 28 – March 6", Playbill.com, archived from the original on 2011-03-14
  139. ^ Ku, Andrew (2011-03-14), "Broadway Grosses: March 7–thirteen", Playbill.com, archived from the original on 2013-01-31
  140. ^ Ku, Andrew (2011-03-21), "Broadway Grosses: March xiv–20", Playbill.com, archived from the original on 2013-01-31
  141. ^ Gewitzman, David (2011-03-28), "Broadway Grosses: March 21–27", Playbill.com, archived from the original on 2011-04-02
  142. ^ Ku, Andrew (2011-04-04), "Broadway Grosses: March 28 – April 3", Playbill.com, archived from the original on 2011-04-06
  143. ^ Gewirtzman, David (2011-04-eleven), "Broadway Grosses: Apr 4–10", Playbill.com, archived from the original on 2011-04-15
  144. ^ Ku, Andrew (2011-04-18), "Broadway Grosses: April xi–17", Playbill.com, archived from the original on 2011-04-20
  145. ^ Ku, Andrew (2011-04-25), "Broadway Grosses: April 18–24", Playbill.com, archived from the original on 2011-04-29
  146. ^ "Broadway Idiot is a feature length documentary. We're currently fine tuning the edit". Broadway Idiot official Facebook. 23 January 2013.
  147. ^ "PUNK ROCK MEETS BROADWAY - BROADWAY IDIOT TRAILER". greenday.com. Dark-green Day. 31 January 2013. Archived from the original on 4 February 2013. Retrieved 1 February 2013.
  148. ^ "Earth PREMIERE!". Broadway Idiot official site. 31 Jan 2013.
  149. ^ "FilmBuff - Broadway Idiot". FilmBuff. October 10, 2013.
  150. ^ "Broadway Idiot - Rotten Tomatoes". Rotten Tomatoes . Retrieved November 11, 2013.
  151. ^ "Broadway Idiot Reviews - Metacritic". Metacritic . Retrieved November 11, 2013.
  152. ^ ""American Idiot" movie lands at Universal". Reuters. Apr 12, 2011. Retrieved August 4, 2014.
  153. ^ "Tom Hanks' Playtone Productions Announces Neil Gaiman'southward 'American Gods,' Mattel's 'Major Matt Mason,' Green Day'south 'American Idiot' (Exclusive)". The Hollywood Reporter. November 6, 2011. Retrieved Baronial 4, 2014.
  154. ^ "Haven't totally committed to St Jimmy for AI movie. Yeah, I'grand interested. Yes someone jumped the gun."
  155. ^ "Michael Mayer said that they don't know when the movie will come out due to Hollywood bullshit, simply Billie Joe volition play St. Jimmy". twitter.com.
  156. ^ "Yale Rep'south 'These Paper Bullets' Features New Songs From Dark-green Day's Billie Joe Armstrong". Hartford Courant. 2014-03-12. Retrieved 2014-03-19 .
  157. ^ "Light-green Day's 'American Idiot' pic has 'green light from HBO'". NME. 2016-07-10. Retrieved 2016-07-10 .
  158. ^ "Green Twenty-four hours give update on 'surreal, offensive' 'American Idiot' flick". NME. Nov 17, 2016. Retrieved Nov 17, 2016.
  159. ^ "Light-green Day's 'American Idiot' movie has been "pretty much scrapped"". NME. 2020-02-x. Retrieved 2020-02-21 .

External links [edit]

  • Official site
  • Internet Broadway database listing
  • Berkeley Rep'southward American Idiot page
  • Did He Like It review aggregator

cooksement1988.blogspot.com

Source: https://en.wikipedia.org/wiki/American_Idiot_%28musical%29

Postar um comentário for "Green Days American Idiot Forbes Center for the Performing Arts February 19"